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How a safety measure meant to protect pedestrians became a lasting symbol of bureaucratic delay, economic incentives, and public indifference.

First-generation college students make up 25 percent of admittees, a four percent increase from the Class of 2029.

11 Barnard alumni were selected for the 2026 cohort, making the College a top producer of Fulbright recipients for the ninth consecutive year.

Want to try out a sport but new to it? Here are five club sports open to students of all experience levels.

Former employees reported facing financial difficulties and an unstable work environment following Barnard’s “Collegewide restructuring” in July 2025.

Columbia University Players’ compelling and evocative rendition of Jen Silverman’s dark and cunning play “The Moors” explores the moral bounds of female power.

At Columbia, the cost of student life is not just measured in subway fares. It is measured in what students risk when they choose to speak.

On Wednesday, March 25, in Barnard’s LeFrak Theatre, Amitav Ghosh gave a lecture following the story of the nutmeg, tracing how colonialism is intrinsically tied to the planetary catastrophe.

From the set design to the guest appearances to the final moments, Bad Bunny delivered a message that urged viewers to love, to dance, to unify. To be one with all the differences is to overcome the separation that threatens to tear the country apart.

President Rosenbury and College administrators held a press roundtable on March 13, answering questions from The Barnard Bulletin and other campus publications.

Undergraduates in the Emerging Filmmaker Mentorship Program present short films that explore the joyful and messy realities of human connection at the 2026 Athena Film Festival.

Performed in the Minor Latham Playhouse and various rooms in Milbank Hall, “Fefu and Her Friends” delivered a raw performance on issues of feminism, mental illness, and patriarchy that still speak true today.