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Columbia University Players’ compelling and evocative rendition of Jen Silverman’s dark and cunning play “The Moors” explores the moral bounds of female power. 

At Columbia, the cost of student life is not just measured in subway fares. It is measured in what students risk when they choose to speak.

On Wednesday, March 25, in Barnard’s LeFrak Theatre, Amitav Ghosh gave a lecture following the story of the nutmeg, tracing how colonialism is intrinsically tied to the planetary catastrophe.

From the set design to the guest appearances to the final moments, Bad Bunny delivered a message that urged viewers to love, to dance, to unify. To be one with all the differences is to overcome the separation that threatens to tear the country apart.

President Rosenbury and College administrators held a press roundtable on March 13, answering questions from The Barnard Bulletin and other campus publications.

Undergraduates in the Emerging Filmmaker Mentorship Program present short films that explore the joyful and messy realities of human connection at the 2026 Athena Film Festival.

Performed in the Minor Latham Playhouse and various rooms in Milbank Hall, “Fefu and Her Friends” delivered a raw performance on issues of feminism, mental illness, and patriarchy that still speak true today.

How Super Bowl ads took their place in football iconography and what they represent to past and present Americana.

As newly released Epstein documents prompt renewed federal scrutiny, Columbia University’s ties with Epstein have led to questions surrounding how elite institutions manage powerful donor relationships. The investigation — alongside faculty action at Barnard — highlights growing demands for transparency and accountability when institutional prestige collides with misconduct.

If you missed the days when fairies made childhood sparkle, do not worry — the MaMa Project’s recent “Do You Believe in Magic?” unlocked that hidden childlike magic.

The Lenfest Center’s latest exhibition features the work of Chilean artist and activist Lotty Rosenfeld, examining public space, censorship, and political life under dictatorship. “Disobedient Spaces” is on view through March 15 at the Miriam & Ira D. Wallach Art Gallery.

Established by the Center for Engaged Pedagogy, the new program invites students and faculty to investigate curiosity through lecture series, communities of practice, and discussions.